Showing posts with label Loved to Pieces. Show all posts
Showing posts with label Loved to Pieces. Show all posts

Wednesday, November 25, 2015

Loved to Pieces...with Nancy Tupper Ling

Today we have a very special author and poet visiting us. She wrote MY SISTER, ALICIA MAY; DOUBLE HAPPINESS; and THE STORY I'LL TELL. Please welcome...
 
Nancy Tupper Ling! 

Photo credit: Stacy Murphy Photography
She's here to share her own favorite book from childhood. The one she's loved to pieces. Tell us about it, Nancy. . . .

"Growing up I lived on a lonely road in Farmington, CT. For many years a farm house and a field of cows were across the street from our family home. As an only child, my world revolved around books, so becoming a librarian and an author may have been written in the stars. 
Or wait. Maybe it was written inside the books I cherished as a child. I lived in a suburb that had little  cultural diversity and yet the books I gravitated toward were the few I could find that took me worlds away from my own. 
Not that I didn’t love my childhood. My father was a Dean at a local college, and my mother was a journalist and homemaker. I was surrounded by love, and a love of words. Still my favorite books where about people or animals who came from other countries or cultures than my own.
After my first school book fair, I brought home Ezra Jack Keats’ book The Snowy Day.  I was hooked by the cover—a boy in his red snow suit, looking down at his own tracks in the snow. 




This boy, Peter, didn’t look like me. He lived in the city while I was in the suburbs, but that didn’t matter. I jumped into his world feet first. His winter days were like my winter days, and I read and reread his story. 




Peter even taught me to try new things in the snow, like pointing my toes in and out to make cool tracks. And he used a stick to smack the snow-covered tree, getting a pile of snow of his head. That sure looked like fun. I would have never thought of these snowy adventures on my own, but I’d always made snow angels, just like Peter. Keats made me feel like Peter could be my friend, too, no matter our differences.
Not surprisingly my other well-worn book is Crow Boy by Taro Yashima. I’m curious if any Crooked Little Cottage readers discovered this book when they were kids? The cover of my worn copy is long gone, but this was my all-time favorite. 




Crow Boy is about a Japanese boy from the country who walks miles and miles for the chance of an education. His classmates find him strange. He doesn’t fit into their world and he’s afraid of their first teacher (rightly so). The other children call him stupid and slow poke. They make fun of him terribly and yet they know little about him except that he brings the same lunch every day—a rice ball wrapped in a radish leaf. 



I remember thinking that even in a faraway country like Japan, there could be a kid who doesn’t fit in for some reason.  And yet, a life can change because of one person. Chibi’s world shifts when a new teacher, Mr Isobe, arrives. This wise man recognizes Chibi’s gifts. When he takes the class outside into nature, he shows them how much Chibi knows about the grapes and the flowers. As Mr Isobe takes time with Chibi, the students begin to see him in a new light. At last when Chibi stands up to imitate the voices of crows in the talent show, there is not a dry eye in the audience. The community sees the heart of this dear boy. He can do things they never imagined, and from that day on they call him “Crow Boy” out of admiration.
Of course it’s easy to look back at one’s childhood with 20/20 hindsight. In a sea of similar faces, I craved diversity. My friends were often the Chibis in my school. Even in preschool, my best friend, Adam, was the one Asian boy in my classroom. Maybe this is why my mother swears I was destined to marry my Chinese-American husband. I often joke with my husband now, saying that I married him for his family stories and great cooking, but maybe my appreciation started long before we met. Books opened new worlds and cultures to me, and that has made all the difference in my own stories, and the stories I will tell."

Don't miss Nancy's new book!


THE STORY I'LL TELL
by Nancy Tupper Ling, illustrated by Jessica Lanan
Lee & Low Books, 2015
ISBN 978-1620141601

★ "[A]n unabashed love letter, one that many families will treasure." —Publishers Weekly (starred review)


Nancy Tupper Ling is the winner of the prestigious Writer’s Digest Grand Prize and the Pat Parnell Poetry Award.  She draws her inspiration from the multicultural background of her family and the interwoven fabric of familial culture which is, on the surface, seemingly every day.  She is the author of My Sister, Alicia May (Pleasant Street Press), Double Happiness (Chronicle Books), The Story I’ll Tell (Lee & Low Books) and the founder of Fine Line Poets (www.finelinepoets.com), Currently she resides in Walpole, Massachusetts with her husband, Vincent, their two girls, two fish and a parakeet named Nimbus.

Wednesday, November 11, 2015

Loved to Pieces . . . with Laurel Snyder

Today we have one of our favorite authors visiting us. She wrote the swoon-worthy new picture book SWAN: THE LIFE AND DANCE OF ANNA PAVLOVA, illustrated by Julie Morstad, as well as many other acclaimed middle grade novels and picture books, including BIGGER THAN A BREAD BOX and PENNY DREADFUL. Please welcome . . .

Laurel Snyder!

Laurel is here to share her own favorite book from childhood. The one she's loved to pieces. Tell us about it, Laurel. . . .

"I’ve got a lot of books on the bottom shelf of my bookcase that qualify as 'Loved to Pieces.' I’m someone who rereads things yearly, and as an author, I base a lot of my own titles on beloved classics.  So picking just one book to talk about is a little difficult for me.


But at the end of the day, there’s one book I’ve memorized like no other, one book I refer to on a daily basis: Ballet Shoes, by Noel Streatfield.

 Ballet Shoes is a middle grade novel about three orphans who’ve been “collected” by an eccentric wealthy paleontologist, then essentially abandoned with his adult niece and her aging 'Nana,' in a big house in London. To support their family, Pauline, Petrova, and Posy take dance and theater classes, then become performers on the stage. As you do!  

Meanwhile, Garnie (the guardian-niece-person) takes in interesting boarders of all sorts, to help pay the bills. All these people live in the big house together—the three kids, Garnie, Nana, and the assorted random adults who pay rent, but also operate like family members.

Laurel Snyder with her loved-to-pieces, favorite book
I loved this book for so many reasons. I loved it because the girls were fiercely independent and highly capable—supporting their family, setting up bank accounts, and taking matters into their own hands. I loved it because it had that fawncy tone of faded British aristocracy—complete with plenty of tea-drinking and velvet frock-wearing. I loved it because the girls were performers, and at age eight, I wanted to be a ballerina myself. I loved it because the girls were so different from one another, though I wanted to be friends with each of them.  How I adored this book!


And our loved-to-pieces favorite new book -- Laurel's SWAN!
As an adult/author, this is a book that challenges me. I know that I wouldn’t make the same choices Streatfield made if I were writing Ballet Shoes today. To begin with, the premise is absolutely insane—an orphan book to beat all orphan books. G.U.M. (Great Uncle Matthew is the name of the paleontologist) literally finds Pauline floating in the ocean). Posy just coincidentally comes with a pair of toe-shoes, and then turns out to be a dance prodigy. It’s all so ridiculously convenient. 

Then, if you get past the premise, you have to deal with the  fact that G.U.M. utterly neglects the girls for about a decade, but is welcomed back with open arms when he finally turns up at the end, so that the whole big crazy mess gets tied up with a big bow, happily ever after. That sort of ending is something I generally loathe in a book, but somehow I don’t mind it in Ballet Shoes. 


In writing this little essay, I’ve put some thought into why that is, and I’m still a little baffled, to tell you the truth. As with all great books, there’s something that defies analysis here, something that breaks the rules. But this much I know—I’m willing to forgive the less believable elements in Ballet Shoes because of Pauline, Petrova, and Posy, because the girls themselves are so real, fully formed complex characters, unlikeable in moments, petulant and jealous and petty. But also loving, committed to each other, and grateful for all they have.  Like actual kids. 

Also, though the premise of the book feels impossible, the underlying theme—that a bunch of random people can come together under any circumstances, form a family, and then overcome whatever obstacles they face—is so inherently true. 

Then there’s the tone of the book, which feels, even now, bright and conversational. As a kid, I felt like it was speaking to me. I really did. 'I wonder,' (says Petrova in the final line of the book) …'if other girls had to be one of us, which of us they’d choose to be?'  


I remember lying on my blue bedspread, in my childhood room, closing the book as I finished it, letting it fall onto my chest, and pondering that question. I knew the answer, of course. (I was, am, and will always be a Pauline). But it was as though Petrova had asked me a question, and I owed it to her to spare a few minutes thinking about my answer.  Because she was my friend. (And thank goodness she still is!)



**************** 
Don't miss Laurel's breathtaking new book!  

SWAN
THE LIFE AND DANCE OF ANNA PAVLOVA
by Laurel Snyder, illustrated by Julie Morstad
Chronicle Books, 2015
ISBN 978-1452118901

Junior Library Guild Selection
ABC(ABA) Best Books for Young Readers


“Spare, poetic words sit as lightly as snowflakes.” Wall Street Journal 

"A tender, delicate recounting.'' Publishers Weekly

"Young ballet lovers will be smitten with the story." Kirkus Reviews

"Exquisite." The Horn Book Magazine 





Laurel Snyder is the author of five middle grade novels and six picture books, most recently SWAN, the Life and Dance of Anna Pavlova.  She lives in Atlanta, GA, and online at http://laurelsnyder.com Follow her @laurelsnyder on Twitter!


Wednesday, October 14, 2015

Loved to Pieces . . . with Mitali Bose Perkins!

How Anne Shirley Fends off the Culture Bullies 
by Mitali Perkins

I’m reading Rainbow Valley again during my annual Avonlea binge. I discovered Anne Shirley and the other books by L.M. Montgomery when I was 11, and have read them every year since then. This year I need Anne big time. Life is stressful – I’m launching young adults and caring for elderly parents, my body is aging, and I’m suddenly invisible when I walk by the sort of men who used to infuriate me with catcalls and whistles. I’m glad they don’t notice me these days, but … well, you get my drift.



I knew moving from girlhood to womanhood would be hard. I watched my two older sisters and realized that both the culture of our origin (Bengali) and North American culture shove a girl’s gender-free identity behind her sexuality once she becomes a woman.

Growing up with Anne convinced me that I—my true self—could survive the move to womanhood. Despite the constraints experienced by women in Canada during the early part of the century, Anne retained a strong sense of self as she matured. Oh, she changed, no doubt about that. She married, had children, left childish ways behind. But when the talkative orphan in Anne of Green Gables grew up to become the chatelaine of Ingleside, she kept the same sense of humor, the same delight in nature, the same independence of thought through seven books. 

She was still Anne, and I clung to that.



If my fictional friend could move into the adult world without losing herself to the Culture Bullies who sought to define her only by her sexuality, I, too, might be able to retain my true identity. Like Anne, I could stride bravely into womanhood. 

And so I did. 

Now I’m midway through a woman’s journey, far from my teens and in the stage where cultures try to shove a woman’s true identity—and her sexuality—behind her age. How I wish the fifty, sixty, seventy, or eighty-something version of Anne were around to reassure me through the next transition, just as she did years ago: “Your body will change. People might treat you differently. But hey, look at me. I made it. I’m still Anne.”  

Happily, the Anne-up-to-about-age-40 can still work her magic. Her familiar company (along with a few lemon drops or Sweet Tarts) brings the same comfort, bringing me down a notch at night so I can slip into sleep. After all, I’m still Mitali, my true self, safe, strong, and sound, no matter how the Culture Bullies try to push me around.
_______________________
 
Mitali Bose Perkins (mitaliperkins.com) has written ten novels for young readers, including Rickshaw Girl (chosen by the New York Public Library as one of the top 100 books for children in the past 100 years) and Bamboo People (an American Library Association's Top Ten Novel for Young Adults, starred in Publishers Weekly as "a graceful exploration of the redemptive power of love, family, and friendship.") Her newest, Tiger Boy (www.tigerboy.orgCharlesbridge). is a Junior Library Guild selection, and forthcoming is a picture book, Gifts for Abuela, published by FSG/Macmillan. Currently she resides in the San Francisco Bay Area and is a lecturer at Saint Mary's College of California.
blog: mitaliblog.com
twitter: @mitaliperkins
facebook: facebook.com/authormitaliperkins


TIGER BOY
by Mitali Perkins, illustrated by Jamie Hogan
Charlesbridge, April 2015
ISBN 978-1580896603

Junior Library Guild Premier Selection!

"Set in the lush Sunderbans natural region of Bengal, this quiet, gripping tale emphasizes the deep but often fragile connection that exists between humans and nature ... Young readers will revel in the vivid action and suspense surrounding Neel and his sister Rupa’s quest to locate the tiger cub." — School Library Journal (starred review)
BAMBOO PEOPLE
by Mitali Perkins
Charlesbridge, 2012
ISBN 978-1580893299 

★ "A graceful exploration of the redemptive power of love, family, and friendship." — Publishers Weekly (starred review)

"With authenticity, insight, and compassion, Perkins delivers another culturally rich coming-of-age novel." School Library Journal (starred review)

Thursday, May 14, 2015

Loved to Pieces. . . with Elise Primavera!

A big warm welcome to ELISE PRIMAVERA, New York Times bestselling author and illustrator of the Auntie Claus series, the Gum Street Girls Series, Libby of High Hopes and the Spring 2015 Indie Next pick, Ms. Rapscott's Girls. Elise is also the author of the Louise the Big Cheese books and several other award-winning titles.

Her work spans a wide range of ages and genres, from picture book to middle grade; fantasy to mystery. So we asked Elise to share a few books she loved-to-pieces as a child, for a glimpse into the stories that shaped this versatile artist and writer.

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The first book I remember being obsessed with was Sam and the Firefly. I made my mother read it to me over and over. Even though I knew it had a happy ending, the book always made me deliciously jittery because Gus the firefly was bent on wreaking havoc. He made me so mad! I felt so badly for Sam, who had to follow Gus around cleaning up his messes. I was livid every night hearing about that firefly and all the chaos he was causing. If you look at the cover illustration, you can even see his evil tendencies: the crazy eyes…the splayed legs, the waving of the arms to get attention—and poor Sam, sitting on his branch knowing that another night of mayhem is about to begin!


From Sam and the Firefly, I moved on to the Harvey Comics. I loved them all! Richie Rich, Little Dot, Casper, Wendy the Witch, the Archie series. I consumed these by the hundreds.


To this day it gives me a small thrill when I look at the covers. I think they’re very well designed and really quite beautiful.


On the other end of the spectrum there were the picture books by Joan Walsh Anglund that were given to me by my Aunt Aggie who was a fourth grade teacher. Old fashioned, simple, elegant, with lots of white space, these books were peaceful, quiet and sweet—like nothing I’d ever seen before.
I pored over the pictures and loved them so much that I was compelled to try to draw them. It was, I’m sure, my first attempt at picture book art.

When I was about eight years old I became interested in horses. I loved the Marguerite Henry books like this one, White Stallion of Lipizza.


 Also I liked, King of the Wind and Misty of Chincoteague.


Another big, BIG favorite of mine was The Happy Year.


It’s by Margaret Cabell Self, about a girl who learns to ride as a member of the New Canaan Mounted Troop. I loved, loved, LOVED this book! The girl starts out knowing nothing about horses and progresses throughout the story to become a good rider.
This is a true testament to the power of books and how they shape our lives as children because my life followed a similar trajectory as the girl in the story.
My parents found a stable for me to ride at and eventually bought me a horse. From there I spent many years riding and competing in Pony Club and three-day events.

Lastly there is The Hobbit and The Fellowship of the Ring books, which were huge for me when I was about twelve. I think reading these are part of what made me want to write for children. This was the cover for The Hobbit that I read way back when.


What was it about these Tolkien books that I loved and continue to love to this day?
I suppose ultimately it’s an affirmation that somebody long ago committed pen to paper in an attempt to conjure a world of magic that I will always believe exists somewhere—if only between the covers of a book.
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Elise Primavera has been writing and illustrating children's books for more than twenty-five years. She has received numerous awards for her work including a Christopher Award for Raising Dragons by Jerdine Nolen. In 2004 she was asked to illustrate the Christmas Brochure for the White House. Her bestselling book Auntie Claus has sold over half a million copies and is in active development for a feature length animated movie. Elise wrote and illustrated her first middle grade novel the popular Secret Order of the Gumm Street Girls in 2006. Her second illustrated novel, Libby of High Hopes, arrived in 2012. Her latest, Ms. Rapscott's Girls from Dial Books, was a March Amazon Book of the Month and Spring 2015 Indie Next Pick. For more information visit www.eliseprimavera.com.

Ms. Rapscott's Girls
by Elise Primavera
Dial Books for Young Readers

A spring 2015 Indie Next Pick 

★ “Fits neatly into the literary world of Mary Poppins and Nanny Piggins… An invigorating romp with more adventures on the horizon.” —Booklist, starred review

“Move over, Mary Poppins, and make way for Ms. Rapscott...these adventures will entice young readers to take Ms. Rapscott’s advice and get 'lost on purpose' in a great story.”—BookPage

"Quirky and imaginative, aimed at middle-graders who like their fiction with a twist." —Kirkus Reviews 

"Primavera charmingly depicts the girls' activities in her soft pencil artwork...the suggestion of a new school term will leave readers eager for another outing." —Publishers Weekly

“Elise Primavera blends artful drawings with a whimsical story line… The story is unpredictably unique.” —School Library Journal
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Libby of High Hopes
by Elise Primavera
Simon & Schuster/Paula Wiseman Books

"Ten-year-old Libby Thump longs to become the best horseback rider in the entire world. However, her path to greatness is not without strife… Still, Libby is plucky and persistent, and her infectious zeal manages not only to bring about the realization of her dreams, but also to inspire those around her. She is a lovely heroine, and her tribulations are relatable and realistic. Expressive full-page illustrations appear throughout. The well-written story teaches the gentle lesson that life can be unfair, but persistence and passion ultimately pay off."—School Library Journal



On Sale: Fall 2015